Milano, 1971

Urban and natural architectures take the form of artist’s jewelry, whose meaning is not necessarily expressed according to the same parameters of traditional jewelry. The value of artist’s jewelry lies in the art of its creator, in the ability to condense their vision into an artifact of extremely small dimensions, subject to a series of constraints that make it wearable, durable, and above all, ornamental.


Alessandro Busci, painter and architect, lives and works in Milan, he trained at the atelier of Alessandro Mendini, where he worked for eleven years. His art investigates the potential of the exchange between the Western and Eastern iconographic traditions and his production is distinguished by the strong value of the sign, pictorial and calligraphic, made on unconventional supports such as steel, copper and aluminum processed with acids and enamels or on the more traditional paper.

Among his most important exhibitions: his participation in the Venice Biennale in 2010, his solo show at the Triennale di Milano in 2014, his exhibition at the Soglia Magica in Malpensa in 2017 and the exhibitions in Milan, Rome, Naples, Turin, San Francisco, Bilbao, London, Madrid, Lugano. He joined the San Patrignano collection in 2018.